Although Blondie made several first-rate albums, most of their best songs were released as singles, which makes The Best of Blondie an essential collection. The Best of Blondie glosses over their punk roots – very little from the first album, apart from the vicious "Rip Her to Shreds" and the seductive "In the Flesh" – but the band's pop hits are among the finest of their era and encapsulate all of the virtues of new wave. Apart from genuine chart hits like "Heart of Glass," "One Way or Another," "Dreaming," "Call Me," "Atomic," "The Tide Is High," and "Rapture," Best of Blondie picks up several of the group's best album tracks, like "(I'm Always Touched by Your) Presence, Dear" and "Hanging on the Telephone." The Best of Blondie isn't all you need to know, but it is an excellent introduction to one of the best new wave bands.

Trevor, an insomniac lathe operator, experiences unusual occurrences at work and home. A strange man follows him everywhere, but no one else seems to notice him.

De fados en mélodies / Édition double vinyle. Rendant hommage à cette chanteuse populaire, trait d'union entre le Portugal et la France, ce double vinyle de 27 titres propose les plus grands hits de Linda de Suza, de "Un portugais" en 1978 jusqu'à "Maradona" (1987). Inclus "La fille qui pleurait", "Amália", "Tiroli-Tirola", "L'étrangère", "Un enfant peut faire chanter le monde", "Chuva…chuvinha", "O Malhão Malhão", "Une fille de tous les pays", "Si tu existes encore", "Un jour on se rencontrera", "La chance" ou encore le titre rare studio "Canto Fado (Uma Casa Portuguesa / A Casa Mariquinha / Solidão / Bairro Alto)". Un duo virtuel inédit de "L'étrangère", réalisé en 2023 avec son fils João Lança, conclut cette édition.

A young man who hauls liquor for moonshiners comes up against a competing gang of moonshiners who intend to get rid of him and take over his operation.

Mary and her friend, Rachel, are new students at St. Francis Academy, a boarding school run by the iron fist of Mother Superior. The immature teens grow bored and begin playing pranks on both the unsuspecting nuns and their unpleasant classmates, becoming a constant thorn in Mother Superior's side. However, as the years pass, Mary and Rachel slowly mature and begin to see the nuns in a different light.

A Kiss in the Dreamhouse is the fifth studio album by British rock band Siouxsie and the Banshees. It was released on 5 November 1982 by Polydor Records. The record marked a change of musical direction, as the group used strings for the first time and experimented in the studio. Guitarist John McGeoch played more instruments, including recorder and piano. For Julian Marszalek of The Quietus, the release proved the Banshees to be "one of the great British psychedelic bands" of the post-punk era. In August 2007, it was ranked No. 1 on Mojo magazine's list of the best albums of 1982.