Have you ever heard “Hippy Dippy Funky Monkey Double Bubble Sitar Man?” Well, the “Top Forty” radio stations throughout the country certainly have and play it often. This hit record is sung by The Hubbels, a fast moving talented couple. The Hubbels are Mary Ann Frazell, 21, and Bob Hubbel, 22. Bob writes lyrics and music, sings and plays the guitar, while Mary Ann sings. “Misty Morning,” which was the first song they sang together; and informal singing for friends sparked the idea for Mary Ann and Bob to sing and work together professionally. Both Bob and Mary Ann are skilled musicians; as a matter of fact, they met at Wittenberg University’s School of Music in 1966.

One of the key albums when talking about psychedelic hard-rock and early proto-metal, originally released in 1969. Featuring the great John Cann (The Attack, Atomic Rooster, Hard Stuff…) on guitar plus Mick Hawksworth (Fuzzy Duck, Alvin Lee) on heavy bass plus the powerful drumming of Ian McLane (Neat Change, Ray Owen’s Moon). Andromeda was formed during the final days of Cann’s previous band The Attack, when he decided to go in a full heavier & proggier musical direction. Recruiting his friend/room mate Mick Hawksworth on bass plus drummer Jack McCulloch (of One In A Million, soon to be replaced by Ian McLane), the power-trio was born. After initial interest from John Peel (Dandelion) and Kit Lambert (Track Records), Cann decided to go with a major label, RCA, who offered him the chance to self-produce their first album. Recorded at Advision Studios, the impressive Andromeda debut was released in 1969, housed in a sleeve designed by John with photos by Gered Mankowitz. But despite receiving excellent reviews and the band playing lots of gigs (some of them billed above bands like Black Sabbath), RCA didn’t know what to do with such a heavy rock band.

Recorded July 21, 1969 at The Aquarius Theatre in Hollywood, California, USA (early show).
Track F1 is "Jazzy Maggie M'Gill" from the soundcheck recorded the same day. This three LP Record Store Day version of this Doors' live album features the Doors' first night of a two night stand at the Aquarius Theatre on Sunset Boulevard in Hollywood, California. Limited to 8,500 copies. This vinyl release is an entirely new mix than ever before issued. Issued on 180 gram clear vinyl, housed in trifold jacket with classic white paper & plastic polylined inner sleeves.Runout details: everything is hand etched on each side.

Same Train, A Different Time (subtitled Merle Haggard Sings the Great Songs of Jimmie Rodgers) is the ninth studio album by American country music artist Merle Haggard backed by The Strangers, released in 1969, featuring covers of songs by legendary country music songwriter Jimmie Rodgers. Same Train, Different Time is Merle Haggard's affectionate tribute to Jimmie Rodgers. Haggard provides narration between the songs, offering tales of Rodgers' life and music. While the album is rooted in the past, the key to its success is how Haggard updates these traditional songs without losing sight of their roots. There are contemporary folk, country and blues influences scattered throughout the record, adding depth to the music and proving that Rodgers' music is indeed timeless.

First 2,000 copies are numbered and pressed at Quality Record Pressing. Mastered directly from the original master tape by Bernie Grundman. Runouts are etched.

The enduring charm, contemporary relevance, and harmonic convergence of Crosby, Stills & Nash's fabled self-titled debut owe not only to impeccably played songs and resonant lyrics, but to career-defining performances by music's first genuine supergroup. Crosby, Stills & Nash lingers as an example of the whole being greater than the sum of its parts. Factor in phenomenal studio production and acoustic-based architecture that served as guideposts for myriad albums that followed, and popular music would never be the same.

First LP by Jeremy Harmer on private label. Recorded in a BBC studio in Norwich and pressed in a run of 99 copies. Featuring David Costa from the Trees on guitar. The album also features a mini-chamber ensemble of guitar, flute, viola, bass and drums. Orchestral arrangements by John Trevitt.

Anthony Braxton (also referred to as B-Xo/N-0-1-47a or Composition 6g) is an album by Anthony Braxton, released in 1969 on the BYG Actuel label. It features performances by Braxton, violinist Leroy Jenkins, trumpeter Leo Smith and percussionist Steve McCall.

Brubeck in Amsterdam is a 1962 live album by Dave Brubeck and his quartet recorded on 3 December at the Concertgebouw in Amsterdam, though unreleased until 1969.

An amazing album in a jazz performance, I want to listen to this music all the time.

Harvey Averne (born 1936, Brooklyn, New York) has been described as "one of several prominent Jewish Americans in New York's bustling Latin music scene."

Live At The L.A. Forum presents an extraordinary April 1969 performance by the Jimi Hendrix Experience. Before a raucous, sold-out house, Hendrix, drummer Mitch Mitchell and bassist Noel Redding tore through a unique set featuring highlights such as "I Don't Live Today," "Purple Haze," "Red House,"and an astonishing medley of "Voodoo Child (Slight Return)" and Cream's "Sunshine Of Your Love". This pristine recording, newly mixed by Hendrix's longtime engineer Eddie Kramer, captures the original Jimi Hendrix Experience in their unrivaled, peak form. A portion of this performance was previously included as part of a short-lived Westwood One radio documentary box set [Lifelines 1990-1992] but has been unavailable in any form for two decades and this marks the first time ever that it will be available on vinyl. The double LP release in gorgeous gatefold packaging and a 12 page 12"x12" book–complete with liner notes from ZZ Top's Billy Gibbons who witnessed the show first hand–gives this seminal performance its proper platform, presenting the complete performance mixed directly from the original eight-track master tapes.

Recorded at American Sound Studio in Memphis, Dusty in Memphis, is her greatest LP. Dusty worked with a stellar team of musicians and producers that included Jerry Wexler, Arif Mardin, Tom Dowd, conductor Gene Orloff, backing vocalists The Sweet Inspirations, bassist Tommy Cogbill, and guitarist Reggie Young. Initial reaction and sales were disappointing on release, but the album has since been rediscovered and critically lauded as one of the greatest records of all time. In 2001, it was inducted into the Grammy Hall of Fame. Features songs by the cream of 20th century songwriters - Barry Mann/Cynthia Weil, Goffin/King, Randy Newman & Burt Bacharach/Hal David. Includes Dusty's classic takes on Son of a Preacher Man (a top-10 hit in the UK), Breakfast in Bed, Just One Smile, I Don't Want to Hear About It Anymore, So Much Love and Just a Little Lovin' - in all cases improving on the originals! This 50th anniversary edition has been remastered at half-speed at Abbey Road Studios.

Pharoah Sanders' third Impulse! album, 1969's Karma, is a milestone of the Spiritual Jazz movement and a natural progression in the sonic exploration that Sanders, along with John and Alice Coltrane, had spearheaded over the previous five years. "The Creator Has a Master Plan" is as close as Spiritual Jazz comes to having its own anthem. Verve's Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

Born in London of Italian-French parents, Sir John Barbirolli (1899–1970) trained as a cellist and played in theatre and café orchestras before joining the Queen’s Hall Orchestra under Sir Henry Wood in 1916.