The Look of Love is the sixth studio album by Canadian singer Diana Krall, released on September 18, 2001 by Verve Records. It became Krall's first album to top the Canadian Albums Chart. In 2002, the album earned Al Schmitt the Grammy Award for Best Engineered Album, Non-Classical. Jim Santella of All About Jazz commented "Lush strings and gliding flutes surround Diana Krall's tender vocals. Even her substantial piano interludes take on the appearance of drifting mists, through the mix of orchestral timbres. With an emphasis on her sultry vocal interpretations, the latest album reaches out to a broad, popular music audience. Nothing wrong with that. It's just that jazz fans usually want the improvised licks along with their melodies…

Acoustic Sounds Series: Mastered by Bernie Grundman from the original analog tapes, 180-gram 2LPs pressed at Quality Record Pressings!, Stoughton Printing gatefold old-style tip-on jackets, padded inner sleeve, gatefold sleeve.

Recorded "live" at the Paris Olympia, Live in Paris offers listeners Diana Krall's understanding of the musical techniques of composition, piano, and vocal improvisation on 12 songs from the Great American Songbooks of Cole Porter,Harold Arlen, George and Ira Gershwin, and contemporary artists Joni Mitchell and Billy Joel. Accompanied by the award-winning Anthony Wilson on guitar, John Pisano on acoustic guitar, John Clayton on bass, Jeff Hamilton on drums, and Paulinho Da Costa on percussion as well as the Orchestra Symphonies European on "Let's Fall in Love" and "I've Got You Under My Skin," the lovely vocalist heightens your listening pleasures with distinctive phrasings and tangible pathways to inside the creative imagination by getting inside harmony, the changes, and melodic structures.

While the jazz fascists (read: purists) may be screaming "sellout" because Diana Krall decided to record something other than standards this time out, the rest of us can enjoy the considerable fruit of her labors. The Girl in the Other Room is, without question, a jazz record in the same manner her other outings are. The fact that it isn't made up of musty and dusty "classics" may irk the narrow-minded and reactionary, but it doesn't change the fact that this bold recording is a jazz record made with care, creativity, and a wonderfully intimate aesthetic fueling its 12 songs. Produced by Tommy LiPuma and Krall, the non-original material ranges from the Mississippi-fueled jazzed-up blues of Mose Allison's "Stop This World" to contemporary songs that are reinvented in Krall's image by Tom Waits ("Temptation"), Joni Mitchell ("Black Crow"), Chris Smither ("Love Me Like a Man"), and her husband, Elvis Costello ("Almost Blue").

Pianist/vocalist Diana Krall pays tribute to the Nat King Cole Trio on her Impulse! set. In general, the medium and up-tempo tunes work best, particularly such hot ditties as "I'm an Errand Girl for Rhythm," "Frim Fram Sauce," and "Hit That Jive Jack." Krall does not attempt to directly copy Cole much (either pianistically or vocally), although his influence is obviously felt on some of the songs. The slow ballads are actually as reminiscent of Shirley Horn as Cole, particularly the somber "I'm Through With Love" and "If I Had You." Guitarist Russell Malone gets some solo space on many of the songs and joins in on the group vocal of "Hit That Jive Jack," although it is surprising that he had no other opportunities to interact vocally with Krall; a duet could have been delightful. Bassist Paul Keller is fine in support, pianist Benny Green backs Krall's vocal on "If I Had You," and percussionist Steve Kroon is added on one song. Overall, this is a tasteful effort that succeeds.

For only the second time in her career, jazz pianist and vocalist Diana Krall deviates from her tried, true m.o. of covering easily identifiable jazz standards. On Glad Rag Doll she teams with producer T-Bone Burnett and his stable of studio aces. Here the two-time Grammy winner covers mostly vaudeville and jazz tunes written in the 1920s and '30s, some relatively obscure. Most of the music here is from her father's collection of 78-rpm records. Krall picked 35 tunes from that music library and gave sheet music to Burnett.

2015 album from the acclaimed vocalist/pianist. Wallflower is a collection of songs from the late 60's to present day that inspired Krall in her early years. Produced by 16-time Grammy Award-winning producer David Foster, the album finds Krall breaking new ground with her interpretations of some of the greatest pop songs of all time. On Wallflower, Diana Krall showcases her considerable gifts as a vocalist in a bold and beautiful way. Krall sings a set of songs that include familiar popular classics like The Mamas and the Papas' 'California Dreaming' and the Eagles' 'Desperado,' favorite vintage songs by Krall's musical heroes Bob Dylan (he inspired the album's title track 'Wallflower') and Elton John ('Sorry Seems To Be The Hardest Word'). The album also features more recent gems like Crowded House's 'Don't Dream It's Over' and a wonderful new composition from Paul McCartney ('If I Take You Home Tonight'). Wallflower: The Complete Sessions will introduce eight additional tracks including the first studio recording of Diana celebrating Joni Mitchell with her own rendition of A Case of You. It also finds Krall covering her fellow Canadian Neil Young on his legendary song, Heart of Gold, and features duets with Sarah McLachlan on Gordon Lightfoot s, If You Could Read My Mind as well as Nashville icon, Vince Gill, on the Fred Neil classic Everybody s Talkin.

On her first full-length Christmas album, pianist/vocalist Diana Krall delivers a smoky, sophisticated, and slightly melancholy album perfectly suited to accompany egg nog cocktails and romantic afterglow holiday affairs. Although there isn't anything unexpected on Christmas Songs - Irving Berlin's "Count Your Blessings Instead of Sheep" is as close to obscure as it gets - Krall coos life into such standards as "Have Yourself a Merry Little Christmas," "What Are You Doing New Year's Eve," and "I'll Be Home for Christmas." It also doesn't hurt that she gains top-notch support from the Clayton-Hamilton Orchestra, whose urbane arrangements help bring to mind similar works by such iconic vocalists as Nat King Cole, June Christy, and Frank Sinatra…

Diana Krall paid tribute to her father on Glad Rag Doll, the 2012 album sourced from his collection of 78-rpm records, and, in a sense, its 2015 successor Wallflower is a companion record of sorts, finding the singer revisiting songs from her childhood. Like many kids of the 20th century, she grew up listening to the radio, which meant she was weaned on the soft rock superhits of the '70s – songs that earned sniffy condescension at the time but nevertheless have turned into modern standards due to their continual presence in pop culture (and arguably were treated that way at the time, seeing cover after cover by middlebrow pop singers).

Returning to the large ensemble sound of her 2005 success, Christmas Songs, pianist/vocalist Diana Krall delivers a superb performance on 2006's From This Moment On. Although having received a largely positive critical response for her creative departure into original singer/songwriter jazz material on 2004's The Girl in the Other Room, here listeners find Krall diving headlong into the Great American Songbook that has long been her bread and butter. While she's always been a pleasant presence on album, Krall has developed from a talented pianist who can sing nicely into an engaging, classy, and sultry vocalist with tastefully deft improvisational chops.

(I Got No Kick Against) Modern Jazz is a 1995 tribute album by various jazz artists and bands (George Benson, Diana Krall, Lee Ritenour, Chick Corea, David Benoit, Arturo Sandoval, Dave Grusin, and many others) from the GRP Records label. It consists of jazz cover versions of songs originally by The Beatles. The album's title comes from the lyrics of the Beatles's cover of the Chuck Berry song, "Rock and Roll Music", which was originally released on the studio album Beatles for Sale. Dave Grusin was nominated for a Grammy for Best Pop Instrumental Performance for his cover of "Yesterday" on the album.

Pianist/vocalist Diana Krall pays tribute to the Nat King Cole Trio on her Impulse! set. In general, the medium and up-tempo tunes work best, particularly such hot ditties as "I'm an Errand Girl for Rhythm," "Frim Fram Sauce," and "Hit That Jive Jack." Krall does not attempt to directly copy Cole much (either pianistically or vocally), although his influence is obviously felt on some of the songs. The slow ballads are actually as reminiscent of Shirley Horn as Cole, particularly the somber "I'm Through With Love" and "If I Had You." Guitarist Russell Malone gets some solo space on many of the songs and joins in on the group vocal of "Hit That Jive Jack," although it is surprising that he had no other opportunities to interact vocally with Krall; a duet could have been delightful. Bassist Paul Keller is fine in support, pianist Benny Green backs Krall's vocal on "If I Had You," and percussionist Steve Kroon is added on one song. Overall, this is a tasteful effort that succeeds.

When I Look in Your Eyes is the fifth studio album by Canadian singer Diana Krall, released on June 8, 1999, by Verve Records. It was nominated for a Grammy Award for Album of the Year, the first time in 25 years that a jazz album was nominated in that category, and won two awards for Best Jazz Vocal and Best Engineered Album, Non-Classical at the 42nd Grammy Awards. The album also won the Juno Award for Best Vocal Jazz Album in 2000.

Live and Kickin' is a 2003 live album by Willie Nelson, featuring music stars of diverse genres like Eric Clapton, Shania Twain, Elvis Costello, Diana Krall, Norah Jones, Ray Charles, Steven Tyler, Wyclef Jean, ZZ Top, Paul Simon.

Diana Krall reunited with Tommy LiPuma, the producer who worked with her for the first decade-and-a-half of her career, for Turn Up The Quiet, a 2017 album that found the pianist returning to the Great American Songbook interpretations that made her name. LiPuma died just before the release of Turn Up the Quiet, prompting Krall to fashion a quasi-tribute to her collaborator from the album's leftovers. The ensuing This Dream of You is hushed and reserved, a leisurely stroll through quite familiar standards augmented by a version of Bob Dylan's "This Dream of You," a deep cut from his 2009 album Together Through Life.