Blind Melon is an American rock band formed in formed in Los Angeles, California by two musicians from Mississippi and one from Indiana. Best remembered for their 1993 single "No Rain", the group enjoyed critical and commercial success in the early 1990s with their neo-psychedelic take on alternative rock.

The first (but certainly not the last) of the compilations issued in the wake of T. Rex's U.K. chart breakthrough, Bolan Boogie was also many of the band's new fans' first chance to acquaint themselves with all that Marc Bolan had done in the past – a point which the compilers certainly kept in mind. The catalog at their disposal was vast, reaching back to the acoustic birth of Tyrannosaurus Rex. Sensibly, however, Bolan Boogie concentrates on the material that lived up its title – aside from one cut drawn from 1969's Unicorn, the entire album dated from the arrival of Mickey Finn, and the attendant headlong dive into electricity launched by the Beard of Stars album, and culminating with the epochal Electric Warrior album. Some incontrovertible classics emerge.

Dave's Picks Volume 23 is a live album by the rock band the Grateful Dead. It contains the complete concert recorded at McArthur Court at the University of Oregon in Eugene, Oregon on January 22, 1978. It was produced as a limited edition of 16,500 copies, and was released on August 1, 2017.

This double-disc, 41-track collection does what the title promises. It runs through the Animals' – and the subsequent Eric Burdon & the Animals' – singles, A- and B-sides from March 1964's "Baby Let Me Take You Home" till January 1969's cover of "Ring of Fire." By representing both the early- and late-'60s Animals incarnations, it's a relatively comprehensive summation of the band, at least as embodied by their singles. It's not complete since there is nothing from the band's excellent 1977 reunion album Before We Were So Rudely Interrupted. Also, the dreadful 1983 second reunion track "The Night" is incongruously and non-chronologically tacked on as the last cut of the first disc, making the omission of Rudely material that much more frustrating.

ietNam is the full-length debut of VietNam, released in January 2007. Mickey Madden and Jesse Carmichael of Maroon 5 helped record this album, with Madden serving as one of the executive producers. Jenny Lewis from Rilo Kiley also makes an appearance on the album.

The cheekiest band in the land is back with ROCKMAKER, The Dandy Warhols' 12th studio album. Produced and recorded by the band at their studio/funhouse The Odditorium in Portland, OR, ROCKMAKER sees the "Bohemian Like You" hitmakers celebrate their 30th year together with a sprinkle of glitter on their grime. Accompanied by guests Debbie Harry, Slash, and Pixies' Frank Black, The Dandy Warhols wrangle paranoia, untangle anxious discontent, and lust after life while the dance grooves go deeper, heady drones get weirder, and riffage fit for bong rips hammers. ROCKMAKER is the Dandy's clearest statement yet, at no sacrifice to their outré leanings. This is the sound of outsider alt-psych fixtures looking in as the walls come down.

Broken China is a progressive rock solo album by Pink Floyd keyboard player Richard Wright. It was his second and final solo album. The album is a four-part concept album based on Wright's then-wife Mildred's battle with depression, and is very much like a classic Pink Floyd concept album in its structure and overall feel. Two songs, "Reaching for the Rail" and "Breakthrough" feature Sinéad O'Connor on lead vocals, with Wright singing elsewhere. The album was recorded in Wright's personal studio in France. Broken China was only Wright's second solo record after 1978's Wet Dream and the last to be released before his death in September 2008. Wright asked fellow Pink Floyd bandmate David Gilmour to perform on the album, and Gilmour agreed to play on "Breakthrough." However, the approach for the song was changed later on, and Gilmour's performance was not used on the finished release.

"And with this incredibly tight batch of prime 1987 Grateful Dead, we’re thrilled to bring you Dave’s Picks Vol. 36, matching the number that will be forever tied to Dick’s legacy. Thanks for sticking around this long, and for joining us through these past nine years of archival live Grateful Dead releases." - David Lemieux

There has been no shortage of Cream compilations over the years – as a matter of fact, they far outnumber the group's actual albums, of which there were merely four (true, they were recorded during an insanely productive two-year lifespan) – but 2005's Gold is arguably the best of the lot. Released as part of Universal's ongoing Gold series, Cream's installment spans 29 tracks over the course of two discs, with the first CD being devoted to their studio work (it weighs in at 21 tracks) and the second devoted to live recordings (it runs only eight songs, which illustrates how much they improvised in concert).