This fascinating and thoroughly entertaining 3CD set is now available!
Here's what I had to say about it on All Music Guide:
"The idea of ‘banning’ a song from being broadcast over the airwaves is a familiar story here in the U.S., especially when it comes to offensive lyrics. Many of the decisions made by the FCC have been no-brainers and have met with some resistance but were, for the most part, justifiable. But in the UK (especially during the years covered on this three CD set), the BBC’s judgments on what was inappropriate for airplay made U.S. radio sound like a crowded brothel during happy hour!

The soundtrack to Quentin Tarantino's critically acclaimed Django Unchained features original contributions from Rick Ross, John Legend and Luis Bacalov, as well as classic tracks handpicked from the director's own vinyl collection.

Deluxe 9-CD box set all re-mastered from the original ¼” master tapes, plus seven inch single of their 1974 flexi-disc ‘Monty Python’s Tiny Black Round Thing’. Although the seven inch single has "33 1/3 RPM" shown on both sides, this is actual a 45 RPM single.

Dusty Fingers is the name of a series of compilation records of songs that are widely admired as breakbeats collected by Bronx DJ Danny Dann the Beat Mann. Some of the songs featured contain "open breaks" which are solo drum passages which enable DJs to easily transition into them. These are also attractive to producers, who loop or rearrange them to create new compositions. Following in the tradition of the Ultimate Breaks and Beats series, the Dusty Fingers records contain an eclectic range of musical styles: mainly funk and jazz, but also including soul, rock, disco, and pop. Many of the songs in the Dusty Fingers series have been sampled into new musical compositions, mainly by hip hop producers. Popular songs that sample songs from the Dusty Fingers series include "Guilty Conscience" by Eminem, "Find Your Wealth" by Nas, "Rowdy Rowdy" by 50 Cent, "Show Me What You Got" by Jay-Z, "Daydreamin'" by Lupe Fiasco, and "Dr. Carter" by Lil' Wayne.

Ace’s odyssey through time and space to bring you this compilation has taken almost as long as the voyages of the Starship Enterprise. The 40th anniversary of the moon landing had yet to be celebrated when this CD was first scheduled for lift-off. It has taken a fair old while to get to the launching pad, but we haven’t Saturn our backsides waiting for mission control to clear us for lift-off. The Ace-tronauts of Steele Road never lost sight of their mission statement – which was to boldly go where no CD of its type had gone before; maybe even to The Final Frontier as far as space-themed compilations go. Nearly five years after the final countdown first began, we are ready for the blast off! “Greatest Hits From Outer Space” offers a stellar collection of music that can truthfully be said to be nothing less than out of this world. Whether you live on Jupiter or in Jesmond, on Venus or in Ventnor, on Pluto or in Prestwich, Ace’s lab-coated boffins have bet their moonboots that, unlike Houston, you won’t have a problem in enjoying this voyage around the galaxy of space-related music. We don’t claim to be definitive in our quest – to be so would require a boxed set, at least – but we do feel that we’ve left no moon rock unturned in an attempt to bring you the best selection of space-related music ever to orbit around your CD player.

Academy Award winner Renée Zellweger is teaming up for two star-studded duets on Decca Records’ forthcoming Judy soundtrack. The star partners with Sam Smith for a totally unique version of one of Judy Garland’s best-loved numbers, ‘Get Happy’, and teams up with Rufus Wainwright for a beautiful rendition of ‘Have Yourself A Merry Little Christmas’ – both newly-recorded especially for the album.

Unmasked: The Platinum Collection is the all-time greatest hits from the works of Sir Andrew Lloyd Webber, one of the most successful composers of our era. The 4CD set featuring 8 new recordings including tracks by Lana Del Rey, Gregory Porter, Nicole Scherzinger and an exclusive performance by Beyonce. Plus a 40 page booklet including track-by-track, an introduction by Andrew Lloyd Webber and new testimonies from artists including Barbra Streisand, Glenn Close, Michael Crawford and Tim Rice.

The Phantom of the Opera is a musical with music by Andrew Lloyd Webber, lyrics by Charles Hart, additional lyrics by Richard Stilgoe and a libretto by Lloyd Webber and Stilgoe. Based on the 1910 French novel of the same name by Gaston Leroux, it tells the tragic story of a beautiful soprano, Christine Daaé, who becomes the obsession of a mysterious, masked musical genius living in the subterranean labyrinth beneath the Paris Opéra House.

Elvis Presley's movie soundtracks have long been notorious for being among his worst material – who can forget the legendary vinyl bootleg of '60s movie soundtrack highlights called Elvis' Greatest Shit? – but among the dreck, there were some wonderful songs, ideal for a single-disc compilation along the lines of Movies, which is one of six thematic Elvis compilations released in 2006. Unfortunately, Movies falls short of being a perfect comp of these highlights, since it misses such big songs as "Can't Help Falling in Love," "Return to Sender," and "A Little Less Conversation" (plus such enjoyable throwaways as "Bossa Nova Baby") are missing.

Unlike other labels subjected to exhaustive multi-disc retrospectives like this whopping ten-disc Revolutions in Sound: Warner Bros. Records – The First Fifty Years, Warner Brothers never embodied a scene or sound: they've always embodied what a major label should be – a dominant force that chronicles and dictates the sound of the mainstream. Coming out at the tail-end of 2008, when the influence of major labels is on a slow steady decline, Revolutions in Sound can be seen as a portrait of a time that's beginning to recede into the past: a time when there was such a thing as mass entertainment, when the pop audience all shared a common bond of hit records they either loved or rallied against. Perhaps the greatest things about this monumental box set is that it captures that colossus while also illustrating that for a while, majors did take risks. Of course, Warner was the riskiest of all the majors, never held back by an anti-rock & roll sourpuss like Mitch Miller, who struggled to keep CBS out of the tumult of the '60s (this with no less than Bob Dylan as the label's flagship rock artist). Instead, Warner embraced the underground, recording some of the strangest to shake out of the '60s, and that adventure fits a label that turned to rock & roll to help establish themselves as a real player at the turn of the '60s.

Like the film itself, the soundtrack to Miami Vice is no 1980s retro-ride. Sure, it opens with "In the Air Tonight," but it's a cover by nü metal band Nonpoint taken from their 2004 album Recoil. Director Michael Mann's slick revisionist aesthetics are confirmed on two types of tracks. First, there are the dancefloor-friendly ones like "One of These Mornings" (a collaboration between Moby and Patti Labelle) and a house remix of Nina Simone’s "Sinnerman" by Felix da Housecat. Then there are the more atmospheric offerings, such as a couple instrumentals by Scottish band Mogwai and the last four tracks, that suggest the kind of steel-blue ambiance Mann is so good at creating (especially John Murphy's "Mercado Nueva" and Klaus Badelt & Mark Batson's "A-500"). Odder is the lack of local flavor: there's only a pair of Latin-flavored tracks, Arranca and Emilio Estefan, for instance. Not to mention that if ever there was a soundtrack that should have included at least one Miami bass song, it's this one. As for those who still associate Miami Vice with pastel colors and the 1980s, they're better off checking out the soundtrack to Grand Theft Auto: Vice City–a video game that's actually more faithful to the spirit of the TV series than the movie that bears its name. –Elisabeth Vincentelli

9 1/2 Weeks Review by Thom Jurek
Every Valentine's Day, video stores and online rental outlets are swamped with requests for the film this soundtrack represents. Crazy as it sounds, this tale of obsession, surrender, masochism, and domination really gets under the skin of some people over and over again. (For those who either don't remember or never knew, the film was an interpretation of a seemingly authentic account of just such an affair by a well-known socialite who wrote it under a nom de plume.) While the film might have a sort of timeless appeal – Kim Basinger and Mickey Rourke were young then, and while one has aged gracefully, the other has become a plastic surgery disaster – the soundtrack (which also experiences a bit of a sales spike during this holiday) has lost much of it. Certainly the theme song, "I Do What I Do," penned by John Taylor (right), Michael Des Barres, and Jonathan Elias and performed by them along with B.J. Nelson, Michael Brecker, and Dalbello, sounds so dated as to be almost laughable, as are contributions by Devo ("Bread and Butter"), Dalbello ("Black on Black"), and Corey Hart ("Eurasian Eyes"). Other cuts here have become classics (or already were): Bryan Ferry's "Slave to Love," Joe Cocker's "You Can Leave Your Hat On," and Eurythmics' "This City Never Sleeps." Still others, such as Luba's "The Best Is Yet to Come" and "Let It Go," are campy fun, and Stewart Copeland's moody "Cannes" is a miniature masterpiece that actually reflects something akin to incidental music in a film score.

Celebration of the mid-60s Swinging London scene at its brash, colourful zenith. A cornucopia of club-friendly mod R&B/soul, era-defining pop hits and cult TV/film themes as England swung like a pendulum do.

Welcome to Broadway! With Broadway in a Box, you'll become acquainted with 25 classic musicals that are essential to any great Broadway collection. This handsome set includes a 60-page book packed with show descriptions, cast lists, musical numbers, recording session photos and more. Each compact disc is packaged in a mini jacket featuring the original album cover art. Broadway in a Box guarantees hours of listening pleasure and is the perfect introduction to the distinctive sound of Broadway musicals.

Funky studio grooves from Italy – pulled from one of the few sound library sources that the grooveheads still haven't plundered! The folks at Plastic put this one together with the same sort of funky bent as their legendary Stroboscopica sets – and the handsome packages features 16 groovers with a mix of jazz and funky soundtrack styles. Tracks include "Battereologistica" by Turicoli, "Notturno" by Ugo Fusco, "Presse" by Francesco Tamponi, "Ritorsione" by Girolamo Ugolini, "Vocal 700" by Romano Rizzati, "Parco Dei Principi" by Luigia Sordini, and "Industraialey" by Carmelo Giacchino. © 1996-2024, Dusty Groove, Inc.