Lzzy Hale – lead vocals, rhythm guitar, keyboards (1997–present), lead guitar (1997–1999, 2000–2001, 2003), bass (1997–1998, 2002–2003)

A collection of live performances Includes BBC radio broadcasts Digitally remastered for greatly enhanced sound quality Interviews, background liners

Pink Floyd was an English rock band from London. Founded in late 1965, the group achieved worldwide acclaim, initially with innovative psychedelic music, and later in a genre that came to be termed progressive rock.Distinguished by philosophical lyrics, musical experimentation, frequent use of sound effects and elaborate live shows, Pink Floyd remains one of the most commercially successful and influential groups in the history of popular music.

Pyramide Music Presents Smooth Jazz Italian Songs Vol.3 (Canzoni Italiane In Versione Smooth Jazz) album original hits and the original artists genre Jazz, Chillout.

Introducing "#1s - Rock 'N' Roll," the first installment in the highly-anticipated '#1s' series. Dive deep into the golden age of music with this compilation of chart-topping sensations from the Rock 'N' Roll. This disc collection captures the spirit, innovation, and charm of a transformative decade. Expect to be transported back in time with iconic tracks that still resonate today.

Elvis Costello arrived as a sneering spitfire, the smartest and meanest singer/songwriter in the first wave of 1970s British punk backed by the Attractions, a band who could match his ferocity. Soon, Costello galloped away from the loud, fast rules of punk, demonstrating his musical and verbal facility with Armed Forces, a 1979 album that contained "Oliver's Army," "Accidents Will Happen," and his cover of Nick Lowe's "(What's So Funny About) Peace, Love and Understanding," a trio of singles that turned into new wave standards. Such rapid musical evolution and switches in style became the rule in Costello's career, as he amassed a catalog that seemed to touch upon every conceivable genre of popular music.

In 1989 big line-up changes occurred within Dio. Guitarist Craig Goldy was replaced by 19-year-old Rowan Robertson; keyboardist Clive Schnell - in the group since 1983 – gave way to Jens Johannsen; founding bassist Jimmy Bain left and the role was filled by Teddy Cook; and most surprising of all, Ronnie’s old mate from Black Sabbath, VinNy Appice, went, with former AC/DC drummer Simon Wright filling his shoes. But, after a brief Sabbath re-union in 1993, which saw the album Dehumaniser released, Appice came back, alongside more new members: guitarist Tracy G, keyboardist Scott Warren of Warrant and bassist Jeff Pilson of Dokken. During this era, the band abandoned fantasy themed songs and focused on modern issues As a result, some fans regard the albums made during this period – notably 1993's Strange Highways - as somewhat lacking, while the majority view them positively, as a step away from the outdated sound of the 1980s. While out touring and promoting Strange Highways, Dio performed at The Edge in Palo Alto, California on October 2nd, 1994. Putting on a solid and hugely enjoyable show, the entire event was recorded for live radio broadcast along the West Coast.

Johnny Cash was one of the most imposing and influential figures in post-World War II country music. With his deep, resonant baritone and spare percussive guitar, he had a basic, distinctive sound. Cash didn't sound like Nashville, nor did he sound like honky tonk or rock & roll. He created his own subgenre, falling halfway between the blunt emotional honesty of folk, the rebelliousness of rock & roll, and the world-weariness of country. Cash's career coincided with the birth of rock & roll, and his rebellious attitude and simple, direct musical attack shared a lot of similarities with rock. However, there was a deep sense of history – as he would later illustrate with his series of historical albums – that kept him forever tied with country.

Kingdom of the Planet of the Apes is a 2024 American science fiction action film directed by Wes Ball and written by Josh Friedman. The sequel to War for the Planet of the Apes (2017), it is the fourth installment in the Planet of the Apes reboot franchise and the tenth film overall.John Paesano, who had previously collaborated with Ball on the Maze Runner film trilogy (2014–2018), composed the film score for Kingdom of the Planet of the Apes. Paesano incorporated Jerry Goldsmith's original themes from the 1968 film within the score, describing it as "the musical legacy". The soundtrack was released by Hollywood Records on May 10, 2024.

It's no secret that the members of Guns N' Roses original line-up were, to a man, enormous fans of classic rock music, and that they would often give the unique G & R treatment to songs composed and first recorded by their musical heroes. This album features a number of such live cuts, originally recorded by groups such as The Rolling Stones, Aerosmith, Wings, Bob Dylan, Alice Cooper and even UK Subs, among a host of other artists, all covered in the classic Roses' style. With all recordings coming from FM broadcast transmissions, ensuring excellent quality throughout, this dynamic CD collection will delight Roses fans everywhere.

Rhythm & Blues was not recognised as a distinct musical genre until the late 1940s and these CDs from the middle of that decade reflect the musical taste of the black population of the United States as it moved away from country blues towards a commercial, dance-oriented fusion of jazz and blues that came to be known as jump blues.

The forgotten superheroes of 20th-century black music, the leather-lunged blues shouters, dominated the US nightclub stages and R&B charts for half-a-dozen years or so following World War II, before being side-lined by the bourgeoning rock n roll storm in the early 1950s. Still considered a force with which to be reckoned in the US music industry of the mid-fifties, and still at the height of their vocal prowess, many of the biggest stars were granted one or two final shots to save their flagging recording careers during rock n roll s heyday - their Last Shout.

The Rolling Stones By the time the Rolling Stones began calling themselves the World's Greatest Rock & Roll Band in the late '60s, they had already staked out an impressive claim on the title. As the self-consciously dangerous alternative to the bouncy Merseybeat of the Beatles in the British Invasion, the Stones had pioneered the gritty, hard-driving blues-based rock & roll that came to define hard rock. With his preening machismo and latent maliciousness, Mick Jagger became the prototypical rock frontman, tempering his macho showmanship with a detached, campy irony while Keith Richards and Brian Jones wrote the blueprint for sinewy, interlocking rhythm guitars. Backed by the strong yet subtly swinging rhythm section of bassist Bill Wyman and drummer Charlie Watts, the Stones became the breakout band of the British blues scene, eclipsing such contemporaries as the Animals and Them.

Time Was, Wishbone Ash's two CD-live anthology, was assembled by the band and the labels Castle and Sanctuary. Consisting of two previously released live recordings, only half of this is even worth hearing. The first disc, Live: Time Line, sounds like a bunch of geezers on their last legs and features only guitarist Andy Powell and bassist Martin Turner from the original lineup. Poorly recorded, tiredly played and utterly boring, it sounds more like a corner bar Wishbone Ash tribute band than the real thing – which of course it's not. In fact, the only case that ever needs to be made for bands not reuniting is this one. Disc two, originally issued as King Will Come: Live, is prime Ash. Recorded in the U.S. and Canada from 1973 through '76, at the height of their powers, this date showcases a restless, hungry, fully adventurous unit with Powell, Turner, drummer Steve Upton, keyboardist Graham Maitland and guitarist Laurie Wisefield. While the recording itself isn't stellar it's far more than passable and will be a welcome addition to the catalog for punters who didn't get it the first time around. The title track, "Blowin; Free," "The Warrior," "Balled of the Beacon," "Doctor," and "Moonshine" are all here, as well as nine others. This set makes plain the reason they ordered the performances in reverse: if King Will Come: Live had been first, no one would have ever even played Live: Time Line. As it is, folks who encounter Live: Time Line first may feel so ripped off by its horror, they may never stumble upon the treasure that is King Will Come: Live.

Academy and Emmy-winning composer Rachel Portman has teamed up with Emmy-nominated Jon Ehrlich on the new Hulu miniseries We Were the Lucky Ones, a World War II drama based on true events. Creating beautiful music that juxtaposes the madness of war could prove quite a difficult undertaking but Portman and Ehrlich find the balance between the light and the dark, resulting in an emotionally layered, dimensional, and effortlessly vibrant soundtrack.