Following two critically acclaimed John Parish-produced studio albums – New Long Leg (2021) and Stumpwork (2022) – South London’s Dry Cleaning take a moment to reflect on their journey and pay homage to their roots with the release of their first two EPs, now remastered and reissued together on one single record with the original artwork and lyric sheet. Guitarist Tom Dowse, drummer Nick Buxton, and bassist Lewis Maynard had been friends and musical collaborators for years, and invited mutual friend Florence Shaw – a visual artist, picture researcher and drawing lecturer – to join the band in 2017.

Damian and Adam will release their 3rd full-length studio album 'Can We Leave The Light On Longer?' on January 12th.

Snce the release of their debut studio album Do Hollywood (on 4AD) in 2016, The Lemon Twigs—the New York City rock band fronted by brothers Brian (27) and Michael D’Addario (25)—have waved the same revivalist torch as Alex Chilton and his Big Star crew, working to prove that archaic music from the ‘60s and ‘70s can still be relevant in digital world. Alongside peers like Foxygen and Drugdealer, The Lemon Twigs have explicitly documented a synchronistic blend of contemporary narrative motifs, old-school recording techniques, and flawless, consistent attitudes collaged from various crucial stages of rock ’n’ roll. After a whirlwind 2023, the D’Addarios are continuing the momentum of their own evolving vision and voice, distilling a history lesson of baroque and power pop into A Dream Is All We Know out on Captured Tracks.

Gathering Speed is the fourth studio album of the English progressive rock band, Big Big Train. It was released in 2004 by Treefrog Records. It is dedicated to the airmen and women who lost their lives in the Battle of Britain. The song The Road Much Further On was originally titled You Can't Draw Love. It was inspired by Spawton's then seven-year-old daughter. The album as a whole was a return to progressive rock for the band. It is the first album in which Sean Filkins recorded vocals, replacing Martin Read. It is also the only album in which Laura Murch recorded vocals, and the only Big Big Train album not to feature any songs solely written by Greg Spawton.

Cut during the fall of 1972, Electric Light Orchestra II was where Jeff Lynne started rebuilding the sound of Electric Light Orchestra following the departure of Roy Wood from the original lineup. It was as personal an effort as Lynne had ever made in music, showcasing his work as singer, songwriter, guitarist, sometime synthesizer player, and producer, and it is more focused than its predecessor but also retains some of the earlier album's lean textures. Lynne, drummer Bev Bevan, bassist Mike D'Albuquerque, and keyboardist Richard Tandy comprise the core of the band, with two cellists and a violinist sawing away around them.

A New World Record is the sixth studio album by Electric Light Orchestra (ELO). It was released in October 1976 on United Artists Records in the U.S., and on 19 November 1976 on Jet Records in the United Kingdom. A New World Record marked ELO's shift towards shorter pop songs, a trend which would continue across their career. Their second album to be recorded at Musicland Studios in Munich, the LP proved to be the band's breakthrough in the UK; after their previous three studio recordings failed to chart in their home market, A New World Record became their first top ten album in the UK. It became a global success and reached multi-platinum status in the US and UK, The album sold five million units worldwide within its first year of release.

Radio K.A.O.S. is the second solo studio album by English rock musician and former Pink Floyd member Roger Waters. Released on 15 June 1987 in the United Kingdom and June 16 in the United States, it was Waters' first solo album after his formal split from Pink Floyd in 1985. Like his previous and future studio albums and many works of his during his time with Pink Floyd, the album is a concept album based on a number of key topical subjects of the late 1980s, including monetarism and its effect on citizens, popular culture of the time, and the events and consequences of the Cold War. It also makes criticisms of Margaret Thatcher's government, much like Pink Floyd's The Final Cut, another album conceived by Waters.

Broken China is a progressive rock solo album by Pink Floyd keyboard player Richard Wright. It was his second and final solo album. The album is a four-part concept album based on Wright's then-wife Mildred's battle with depression, and is very much like a classic Pink Floyd concept album in its structure and overall feel. Two songs, "Reaching for the Rail" and "Breakthrough" feature Sinéad O'Connor on lead vocals, with Wright singing elsewhere. The album was recorded in Wright's personal studio in France. Broken China was only Wright's second solo record after 1978's Wet Dream and the last to be released before his death in September 2008. Wright asked fellow Pink Floyd bandmate David Gilmour to perform on the album, and Gilmour agreed to play on "Breakthrough." However, the approach for the song was changed later on, and Gilmour's performance was not used on the finished release.

Beautiful Dreams holds interest mainly because Chris de Burgh is backed by a full orchestra, which adds brilliant depth to his material, presenting his romantically based ballads in an entirely new fashion. While the strings and woodwinds that accompany de Burgh showcase their splendor on "Say Goodbye to It All" and "Snows of New York" better than any other of the album's 13 tracks, there is still a certain posh grandeur that is carried on all of them, which is bolstered by the band's luxurious sound. "Missing You" and "In Love Forever" gain illustriousness through the lavish backdrop of violins, which ease in to de Burgh's graceful lyrics, and the familiar "Lady in Red" sounds full-bodied and even more enchanting with a thicker curtain of instruments behind it.

I Robot is the second studio album by the English progressive rock band The Alan Parsons Project (Alan Parsons and Eric Woolfson), released by Arista Records in June 1977. It is an art rock album that draws conceptually on author Isaac Asimov's science fiction Robot trilogy, exploring philosophical themes regarding artificial intelligence.

Classic late period Bowie television broadcasts. David Bowie's output from the late 1980's and 1990's has been reassessed in all the right quarters since the great man's tragic passing in 2016, and has rightfully now been awarded plaudits often denied the releases and concerts from this era at the time they took place. This triple disc set goes some way to contributing to this effort by bringing together broadcast recordings form 1990 and 1992. The first of these was recorded at Bowie's gig in Buenos Aires in August of 90, while the second is from Tin Machine's legendary tour of Japan in the early part of 92, with the show presented here being the group's performance at the Nippon Budokan in Tokyo on 17th February. The set is completed with a disc of television appearances recorded between 1975 and 1995, which features some of Bowie's best ever live TV spots.