Mastered from the original tapes this 2 CD set includes the original segued album plus volume 2 of the super rare 'Special Instrumental' album. This has never been released on CD before and spotlights just what brilliant musicians Voyage were. For those used to hearing the tracks with vocals it will be an amazing experience to hear the instrumental versions. Disc 2 features the much sought after Hot Tracks remix of 'Souvenirs' as well as the original 7" and 12" mixes of the hit singles. As a special treat we also include the superb 'Dance And Romance' by Disco & Co - which is the Voyage guys under one of their many pseudonyms.

Cardiacs first full-length album gets four disc reissue. Influential British art rock band Cardiacs are to have their debut studio album A Little Man And A House And The Whole World Window, catalogue number ALPHLP007, reissued through The Alphabet Concern label on September 6, 35-years after it’s original release. The new reissue features in a casebound book set has four bonus discs featuring a remastered show from London's Town and Country Club in 1987, all of the BBC radio sessions, the complete studio sessions and a previously unreleased version of Gina Lollabrigida where Tim Smith can be heard counting the players in from the top.

"Songs from the West Coast" is the 26th studio album by British singer-songwriter Elton John, released worldwide on 1 October 2001. Many critics have said that this album brought him back to his piano-based musical roots. Special Limited Edition features bonus CD with 8 tracks, 'Your Song' (With Alessandro Safina), 'Teardrops' (with Lulu), 'The North Star', 'Original Sin' (Junior's Earth Mix Edit), 'Your Song' (Almighty Mix Edit), & the videos 'I Want Love', 'This Train Don't Stop There Anymore' & 'Your Song'.

Meant as a statement of her new direction, Kylie Minogue's fifth album no longer featured the Stock-Aitken-Waterman production gloss and found the diminutive singer working with hip dance producers like David Seaman. From the first notes of the opener "Confide in Me," you know this is not the teen pop queen of old. Kylie Minogue (also note the use of her last name on the cover) wanted to sound grown up, and she pulls it off with ease. While it is still dance-pop, there's atmosphere and style in the songs that wasn't there on Let's Get to It. Definitely the start of the second phase of her career.

With an impressive list of artists such as Yes, Rick Wakeman, Keith Emerson, Ian Anderson, Tangerine Dream, Caravan, Soft Machine, Premiata Fornería Marconi and many more, the Progressive Rock Trilogy provides the very best of this extensive genre in an organized fashion. This is without a doubt the most important compilation in the history of progressive rock. It is a must have for both novices to this type of music, which is one of the richest within the rock spectrum, and also for informed listeners who will be drawn to the classic hits and artists as well as hard to find gems like the A and B side of the single Ultima Thule by Tangerine Dream.

ABBEY ROAD'S world-renowned engineers have been cutting grooves into discs since the studios first opened in 1931. This record was pressed using a precision technique known as half-speed mastering, in which the source master and cutting lathe run at half speed on a specially adapted Neumann VMS-80. The result is a cut with excellent high frequency response and solid stereo images. In short, half-speed mastering produces a superlative master of the highest quality.

Digitally re-mastered direct from the original PWL master tapes, this Special Edition features no less than ten exclusive bonus tracks. Produced by Stock Aitken Waterman but originally unreleased in the UK, American girl group Boy Krazy's classic 1993 album is given a Special Edition reissue on Cherry Pop.
The last full album SAW began before Matt Aitken's departure from the production team, "Boy Krazy" features the 1993 US Top 20 hit `That's What Love Can Do' and the follow-up `Good Times With Bad Boys' (#59 US), together with the 1992 UK single, `All You Have To Do'.

After just three albums in three years, Girls Aloud had enough smash hits for a greatest-hits collection, The Sound of Girls Aloud: The Greatest Hits, which compiles a dozen Top Ten singles and adds three new songs. Since rising to fame on the television show Popstars: The Rivals in 2002, the all-girl quintet experienced remarkable success in tandem with the production team Xenomania. Not only did all of the group's singles reach the Top Ten of the U.K. charts, if not the Top Five; the girls were also well-received from a critical standpoint more often than not. The Sound of Girls Aloud includes the three singles from the group's first album, Sound of the Underground (2003), most notably the chart-topping title track, and the five singles from the second album, What Will the Neighbors Say? (2004), all of them Top Five hits. The third full-length effort by Girls Aloud, Chemistry (2005), was a bit less successful than the first two, failing to reach the Top Ten of the U.K. albums chart, yet it still managed to spawn the four hit singles compiled here. These 12 singles are sequenced non-chronologically. In addition, there are three new songs sequenced late in the album: "Something Kinda Ooooh," "Money," and a cover version of Tiffany's 1987 international chart-topping smash "I Think We're Alone Now." These Xenomania productions are welcome additions to the Girls Aloud catalog, especially the standout lead single "Something Kinda Ooooh."

The Let It Be album has been newly mixed by producer Giles Martin and engineer Sam Okell. All the new Let It Be releases feature the new stereo mix of the album as guided by the original "reproduced for disc" version by Phil Spector and sourced directly from the original session and rooftop performance eight-track tapes. The Special Edition Deluxe 2CD also includes a disc of outtake highlights and a 40-page booklet.

The 1994 sequel to her mainstream country breakthrough on Come on Come On further underscores Mary Chapin Carpenter's true identity, more Ivy League folk rocker than new country cowgirl. Her coolly delivered, deeply felt songs include meditations on family, community, and social injustice without rant or cant, never more so than on the gently incisive midlife reflections of the title song, which filters historic milestones and childhood lessons through its delicate verses. Elsewhere, she sketches a heart-breaking, restrained speculation on the inner life of a blind, deaf mystery man ("John Doe No. 24") with the economy and detail of good short story. The set's many love songs are no less intelligent, emotionally authentic, or moving. Chapin Carpenter's elegant yet earthy alto is beautifully framed in the settings, coproduced with longtime collaborator John Jennings, that balance jangling guitars, rippling piano, occasional fiddle and crisp rhythm sections closer to the best of L.A. country rock than what normally emanates from Nashville. –Sam Sutherland

Disney's 1997 and 2006 reissues of the Mary Poppins soundtrack augmented the classic original release with a handful of demos and interviews, which is enough bonus material to attract collectors, but not enough to overshadow the wonderful qualities of the music. Mary Poppins contained some of the best-known (and best-loved) songs from any Disney film, including "Chim-Chimeree," "Supercalifragilisticexpialidocious," "A Spoonful of Sugar," and "Let's Go Fly a Kite." The music has lost none of its charm over the years, and it stands as some of the finest music from a movie musical in the last half of the 20th century.