​On his third album as a leader, Belgian pianist Joachim Caffonnette deepens and refines his textural approach, carefully balancing between the impressionist influences and the bebop legacy that are typical of his very personal signature. « Extended » is meant as a projection of his writing and his ideals through various instrumental ensembles that stimulate meetings and spontaneity.Here, he surrounds himself with top-notch musicians, including New Orleans-based double bassist Jasen Weaver, Israeli drummer Noam Israeli, who has been based in New York for several years, and guest virtuoso trumpeter Hermon Mehari, originally from Kansas City.

The term beatnik with its implied allusion to Communism was to inspire fear and loathing in every God-fearing, white, Anglo-Saxon, protestant the length and breadth of 1950s America when it emerged with the disillusionment felt by many young people in post-WWII America who had begun to realize the futility of war, the emptiness of materialism and the brutality of organized religion. In 1943 New York, three men came together and formed the most potent underground art phenomenon of the post war world. Jack Kerouac, Allen Ginsberg and William Burroughs would, between them, create the notion of youth culture, without which rock & roll and all that followed in its wake would be unthinkable. This 5 CD box set celebrates the Beat Generation, the art it produced and the influences from which it borrowed. Disc One & Two - The Complete Jack Kerouac; The three albums Kerouac recorded in the late 1950s plus bonus cuts. Disc Three & Four - Beat Generation Jazz; Two CDs featuring the jazz that inspired the Beat Generation. Disc 5 - Diggin' The New Breed; Featuring Interviews with the Beats themselves, plus the testimonials of fellow writers, friends and lovers.

With inspiration provided by myriad jazz masters and the Los Angeles musicians she surrounds herself with, vibist Lolly Allen creates a warm, swinging, and jubilant set of music on Coming Home. Opening with Horace Silver's "The Hippest Cat in Hollywood," she celebrates the LA jazz scene that developed out of the flourishing Central Ave clubs of the '50s. Surrounding herself with revered veterans of the scene, such as drummer Paul Kreibich and pianist Tom Owens, and young, vital members of the next generation, including pianist Josh Nelson and saxophonist Danny Janklow, Lolly delivers invigorated perspectives of the quintet group dynamic. Classics like Mario Bauza's "Mambo Inn" and Dizzy Gillespie's "Bebop" are paired with Allen's originals, "Little Hummingbird" and the title cut, in a seamless blend of supple ideas and renewed approaches to traditional repertoire.

Reel To Real returns with more top notch live archival music from Bob Mover and Walter Davis Jr. Recorded in Salerno, the recording beautifully captures the short-­lived duo association between two musical legends deserving greater attention.

Trio founded in 2014, Un Poco Loco keeps (re)visiting its personal history of jazz, a history maybe a bit crazy but mainly very liberated. After the eponym Un Poco Loco and Feelin’ Pretty, dedicated to the West Side Story of Leonard Bernstein, Fidel Fourneyron, Sébastien Beliah and Geoffroy Gesser have already asserted a strong musical identity, proving if need be that traditions are not less honored than freedom. The critics haven’t mistaken (with notably a victory at the prestigious contest Jazz Migration) ; the public even less. For this third record, the trio comes back with a new renowned repertory to reinvent, Charlie Parker’s!

Perhaps no other instrument in jazz boasts such a classic and beloved status as the Hammond B3 organ. On stage it sits like a majestic relic from jazz's distant past, a slightly odd Rube Goldberg machine whose spinning speakers produce a saturated, unmistakable sound imbuing every performance with it's own recognizable style. That style has set deep roots in American music including, of course, jazz and blues, but it has also provided undeniable contributions to pop, funk and soul. So it should really be no surprise that organist Pat Bianchi would choose a program of Stevie Wonder's music for his second Savant Records release.

The music you are going to listen to is in the image of Ugo Lemarchand. A tidal bore. It takes you from one end of the work to the other with mixed sensations of power and softness. Voluble, sincere and fair, between vibrant standards and personal compositions, the heart which speaks for Thalia, without being overwhelmed by emotion, Ce22, who reasons like an affirmation, the intriguing One Shot, the notebook describes a long journey including All the steps appear clearly to us from the first listen. As if the doubts of the man with the pen and the saxophone vanish as the notes become anchored. No doubt you will sometimes hear the colors of John Coltrane or Joe Henderson, his first inspirations.

Yotam Silberstein, one of the leading jazz guitarists of his generation, has gained acclaim for a sound rich in bebop and blues as well as musical folklore from South America, North Africa and the Middle East, giving his music an increasingly global thrust.

Following the success of “Groove du Jour”, crowned best album of the year 2019 by the French Academie du Jazz, Yes! Trio makes its return by releasing its third album “Spring Sings”. Bringing together drummer Ali Jackson, whose personal lineage is rooted in an African American family of jazz players from Detroit, spotted by Wynton Marsalis in his teen years; pianist Aaron Goldberg, the son of eminent Boston scientists who graduated from Harvard University; and double bassist Omer Avital, an Israeli musician with Yemenite and Moroccan roots expatriated to New York for his love of bebop, Yes! Trio brings together three musicians who were never expected to meet! United by thirty years of friendship and love of swing, enriched by their differences and their individual experiences, these three contemporary masters, solo leaders in their own right, are bond by a true group spirit which encourages interaction in music at its maximum intensity and subtlety.

This collection compiles, for the first time ever on a single set, all existing studio recordings of Chet Baker singing from 1953 (his earliest vocal recordings) until 1962.
The music on this CD puts Chet Baker on the scene not just as a brilliant trumpeter, but also as a talented singer. These songs were a revelation at the time and won Baker new fame and a new audience, which was less familiar with jazz than with pop music. The reasons are quite clear: Chet's voice is tender and beautiful, and at the same time his phrasing always swings and surprises. Among the contents of this set are the complete original albums Chet Baker Sings and Chet Baker Sings It Could Happen to You, plus all other existing studio vocal sides within that period.

Originally reissued as part of the Promise Kept: The Complete Artist House Recordings boxed set, now available separately . LP contains the original 5 tracks - CD/Digital include an additional 5 bonus tracks . Remastered by Grammy? winner Michael Graves, with vinyl cut by Jeff Powell Producer John Snyder had always wanted to record Pepper and booked him into a week at the Village Vanguard in New York. At the time, Pepper was under contract to Contemporary Records and label head, Les Koenig, decided he would record the gigs, quashing any notion Snyder had of doing the same. However, Art promised Snyder that he'd record an album for Snyder's label, Artists House, at some point down the road.

After receiving four Grammy nominations for his highly successful series of recordings that “latinize” the music of John Coltrane, Miles Davis, Joe Henderson, Wayne Shorter, Herbie Hancock and Horace Silver, Conrad Herwig turns his attention to the legendary Charles Mingus. An imposing figure in jazz, Mingus was known for being complicated, volatile and a touched-by-genius innovator. In response to this influential artist, Conrad Herwig provides a fiery excursion into the world of Afro-Caribbean rhythms skillfully applied to Mingus' wildly imaginative compositions.

Jazz trumpeter, composer and author Jeremy Pelt has certainly never shied away from themed albums so one might expect something cinematic from the enigmatically-titled 'Soundtrack'. However, as Pelt himself explains, "I've certainly done plenty of concept albums, but in this case there's nothing I'm on a soapbox about. It's been a tough time for all of us, so let's not worry about sending messages for a minute. Here we are, playing some songs and having some fun."

This release presents some of the best recordings made by the outstanding Chet Baker. All of the tracks included here are studio recordings with excellent sound quality, and showcase Chet both singing and playing the trumpet. Among the highlights are his three earliest vocal albums, as well as a session which pairs him with pianist Bill Evans.

Brian Lynch’s first big band album connects the trumpeter’s lifelong passion for reading with his expansive vision as a composer/arranger. And while the dedications on The Omni-American Book Club: My Journey Through Literature In Music reveal Lynch’s deep interest in African-American literature and social justice, one need not be familiar with authors W.E.B. DuBois, Albert Murray, Ned Sublette, Naomi Klein, Masha Gessen, Isabel Wilkerson, Ralph Ellison, Chinua Achebe, Amiri Baraka and A.B. Spellman to fully enjoy this Afro-Caribbean-fueled, two-disc collection of strikingly fresh, intricately arranged original compositions.