Absolutely incredible soundboard recording of this fantastic performance. If you are a big fan of the Adore era of this band in 1998, then this is a must own. Live at the Viper Room 1.15.98 is a live album by The Smashing Pumpkins documenting the January 15, 1998 solo acoustic performances by Billy Corgan and James Iha at the The Viper Room. It is the second installment of the archival series after Live at Kawasaki 2.24.92, though Live at the Viper Room shipped first. In this edition, Iha debuts his solo material for Let It Come Down, while Corgan debuts the new songs for Adore, both only on acoustic guitar.

Publié par Sony Music en 2009, "Triple Best Of" est une anthologie complète qui célèbre la brillante carrière musicale de Patrick Bruel. Cette compilation de trois disques est un véritable trésor pour les fans, encapsulant l'essence de la discographie diversifiée et prolifique de Bruel.
L'album présente une large gamme de chansons, des ballades émouvantes aux hits pop entraînants. Les auditeurs peuvent savourer des titres emblématiques tels que "Place des grands hommes" et "Casser la voix", ainsi que des chansons moins connues mais tout aussi captivantes. Cette collection offre une parfaite occasion de revisiter les moments forts de la carrière de Patrick Bruel. "Triple Best Of" met en lumière non seulement le parcours musical de Bruel, mais aussi son évolution émotionnelle et artistique. Chaque chanson témoigne de son style vocal distinctif et de son talent lyrique profond, faisant de cet album un incontournable tant pour les fans de longue date que pour les nouveaux auditeurs.

JAGGED LITTLE PILL features Dolby Atmos and PCM 48/24 High Resolution Stereo mixes. Released in 1995, the record topped the charts in multiple countries, including the U.K., Canada, and the U.S., where it held the No.1 spot for 12 weeks. JAGGED LITTLE PILL won five Grammy® Awards, including Album of the Year. Today, it is one of the most successful albums in music history and has sold 33 million copies worldwide.

Even though Tales From the Lush Attic was IQ's first LP, the band had self-released a cassette in October 1982 entitled Seven Stories Into Eight. Recorded on a domestic four-track machine, this collection of songs shows the band in its formative months, as members were trying to agree on the musical direction they wanted to follow. The cassette was sold at shows and via mail order until 1984, when it was deleted. Each copy was packaged with handmade artwork by singer Peter Nicholls. The album opens with "Capital Letters (In Surgical Spirit Land)," an atypical high-octane fusion number à la Brand X or National Health.

Digitally remastered reissue of this 1993 album from the British guitarist and Shadows member. Heartbeat features guest appearances from Cliff Richard, who sings on four tracks, and Dire Straits main man Mark Knopfler. This album features Hank playing some classic tunes including 'Heartbeat', 'Mrs. Robinson', 'Wonderful Land', 'Oxygene', 'Take Five' and 'Live And Let Die' amongst others.

See for Miles' 1990 compilation The Best of Idle Race contains a generous 25 tracks – just over half of what the Idle Race recorded. This means that it does have the great majority of the best material the band recorded, and it would satisfy everyone outside of the rabid collectors who need anything. The catch is, if you're into the Idle Race, you need everything, so this collection is essentially a stopgap until you can track down (or afford) EMI's 1996 complete collection, Back to the Story. Even then, this may be a little more listenable, since it boils the group's interesting but erratic career to its very best – which is obscure British psych at its best (in other words, it's for the collectors who will seek it out, not anyone else).

Last of the Independents is the sixth studio album by rock group The Pretenders, released in 1994. For this album, the band is officially credited as being Chrissie Hynde (vocals, guitar), Adam Seymour (guitar), Andy Hobson (bass) and Martin Chambers (drums). However, this line-up only plays together on one track ("All My Dreams"); the rest of the album is performed by Hynde and Seymour in conjunction with a rotating series of musicians on bass and drums. These musicians include Hobson and Chambers, as well as bassists Andy Rourke, Tom Kelly and David Paton, and drummers Jimmy Copley and J.F.T. Hood. A few other session musicians also appear, including Ian Stanley (formerly of Tears for Fears), and one-time Pretenders guitarist Robbie McIntosh, who plays alongside Hynde and Seymour on "I'm a Mother". The album marked the official return of Chambers, who had been fired by Hynde eight years prior.

Arguably Pachelbel's masterpiece, "Apollo's Lyre" is a series of six arias, each of which consists of a set of highly contrasted variations on the initial theme. As a composer, Pachelbel was perhaps most interested in the variation principal, in direct contrast to his great successor, Bach, who used the form only rarely (but then typically wrote the greatest variation work ever–the "Goldberg Variations"). The musical argument is easy to follow, and the tunes themselves simple and memorable. John Butt frames the work with two mighty chaconnes. A chaconne is basically the same thing as a passacaglia, namely a series of variations over a constantly repeating bass line. Try this disc. You're in for a pleasant surprise.

As the elder statesman of British blues, it is John Mayall's lot to be more renowned as a bandleader and mentor than as a performer in his own right. Throughout the '60s, his band, the Bluesbreakers, acted as a finishing school for the leading British blues-rock musicians of the era. Guitarists Eric Clapton, Peter Green, and Mick Taylor joined his band in a remarkable succession in the mid-'60s, honing their chops with Mayall before going on to join Cream, Fleetwood Mac, and the Rolling Stones, respectively. John McVie and Mick Fleetwood, Jack Bruce, Aynsley Dunbar, Dick Heckstall-Smith, Andy Fraser (of Free), John Almond, and Jon Mark also played and recorded with Mayall for varying lengths of times in the '60s.

This best-of basically covers the years 1979 to 1994, though it reaches back to 1964 for Marianne Faithfull's first recording and first hit, "As Tears Go By," and includes "She," slated for the upcoming 1995 album A Secret Life. Five of the 11 songs are drawn from Faithfull's strongest album, 1979's Broken English, including the bitter title track and "Why'd Ya Do It." Otherwise, compiler Chris Blackwell makes little attempt to present a balance among Faithfull's recordings – there is nothing at all from Dangerous Acquaintances or A Child's Adventure, and only one track each from Strange Weather and Blazing Away. But there is a good newly recorded cover of Patti Smith's "Ghost Dance" co-produced by Keith Richards and featuring other members of the Rolling Stones, and Blackwell rescues Faithfull's rendition of the title theme for the movie Trouble in Mind from the soundtrack album. It adds up to an excellent compilation that highlights Faithfull's strengths as a singer.

The score to this beautiful movie (released as All About My Mother in the U.S.) was composed by Alberto Iglesias and recorded with the City of Prague Philharmonic under the production of Lucio Godoy. The haunting music leads the perfect mood to the film, which received critical acclaim at the Cannes Film festival and elsewhere.

On this 1977 album, Nazareth makes a full-blooded return to the hard rock sound they had neglected since their success with Hair of the Dog. The result is a potent, driving slab of hard rock that will please Nazareth fans and devotees of 1970s hard rock alike. The album sets its frenzied tone right off the bat with its title track, a blistering rocker that features Dan McCafferty spitting out a sharp-edged vocal about life's cruelty over a series of fast and relentless guitar riffs. The remainder of the album prominently features a similarly brutal string of rockers: standouts include "Revenge Is Sweet," a paean to getting even that combines chugging guitar riffs with a stomping beat, and "Gimme What's Mine," a fierce declaration of dominance that layers Southern rock-styled riffs over a churning bassline.

All the singles recorded for Fall Out Records/Jungle between 1983-98, half of which were non-album singles. 24 tracks from six singles and EPs compiled together for the first time. Limited edition transparent yellow vinyl. Precedes Charlie Harper's 80th birthday UK Subs gig at Shepherds Bush Empire on May 25th.

First-ever career-spanning, 2-CD/Digital collection from the legendary Pittsburgh Rock and Roller! • Features contributions from Steve Cropper, Ian Hunter, Bruce Springsteen, Steve Van Zandt, Mick Ronson, Ellen Foley, and many more. • Packaging contains liner notes from Mike Ragogna and Joe Grushecky with special Track-by-Track remarks from Joe Grushecky. Joe Grushecky grew up in the coal mining town of Biddle, Pittsburgh, but after seeing The Beatles on The Ed Sullivan Show—he soon had a guitar in hand, and a future in Rock ahead of him. Joe worked as a Special Education educator by day, while his band, Iron City Houserockers gigged by night. They were signed in 1979 by Steve Popovich to his Cleveland International (home of Meat Loaf, Jim Steinman, Ronnie Spector). From the first album Love’s So Tough through the present day, Joe solo, and with various incarnations of the Houserockers, journeyed through albums filled with hard-edged rock with lyrics true to their Pittsburgh Steeltown roots. Albums have included productions and contributions from Ian Hunter (Mott The Hoople), Mick Ronson (David Bowie), Steve Van Zandt, Bruce Springsteen, Steve Cropper (Booker T. & The MG’s), and many others. Throughout the 40 years of Joe’s career, he has always balanced his passion for caring for those in need with delivering blistering, energetic rock, while simultaneously breaking boundaries on other fronts.

Creedence Clearwater Revival was an American rock band active in the late 1960s and early 1970s. The band consisted of lead vocalist, lead guitarist, and primary songwriter John Fogerty, his brother rhythm guitarist Tom Fogerty, bassist Stu Cook and drummer Doug Clifford. Their musical style encompassed the roots rock, swamp rock, and blues rock genres. Despite their San Francisco Bay Area origins, they played in a Southern rock style, with lyrics about bayous, catfish, the Mississippi River, and other popular elements of Southern United States iconography, as well as political and socially-conscious lyrics about topics including the Vietnam War. The band performed at 1969's famed Woodstock Festival. The band has sold 26 million albums in the United States alone. Rolling Stone ranked the band 82nd on its list of the 100 greatest artists of all time.