Live. 1986 JUNE 20: Wembley Arena. 1987 JUNE 5: Wembley Arena. 1988 JUNE 5/6: Royal Albert Hall. 2016. Mid Valley Records.

Bridge of Sighs, Robin Trower's sophomore album following his departure from Procol Harum. Lauded critically, commercially a breakthrough, the album saw Robin push his trio's initial concept into exciting new territory. Accompanied by James Dewar on soulful vocal and bass duty and Reg Isidore underpinning their psychedelic blues sound with masterful drumming. Producer and former Procol Harum bandmate Matthew Fisher and Beatles engineer Geoff Emerick take on control room duties to help bring this stunning collection of songs together. This 3CD/1Bluray expanded 50th anniversary edition contains the original remastered album, along with a newly mixed version of the album in Stereo and Atmos. These are unedited versions of tracks from the album, which were originally edited down to fit a side of a vinyl and presented here in full for the first time. Added to this, there are a selection of previously unreleased outtakes and alternative versions and a full live concert from the Record Plant in 1974 across 2 CDs. The Blu-ray contains the full 2024 Unedited Atmos version of the album, hi-res 96/24 version of the original 1974 mix, an instrumental version of the album, Record Plant 1974 and additional outtakes not featured on the CDs. Format: 3 CD/1 Blu-ray housed in a DVD style hardback book, with a 24-page booklet with new interviews conducted by David Sinclair, Robin Trower and producer Matthew Fisher, along with testimonials from Bryan Ferry, Robert Fripp, Steve Lukather, Clive Bunker, Andy Parker and previously unseen photographs.

Collection includes 11 studio albums and 4 live albums by American blues-rock guitar virtuoso Joe Bonamassa.

Keef Hartley came to prominence as a member of the british R&B group the artwoods before joining John Mayall's Bluesbreakers in 1967. He contributed to the album crusade before leaving in 1968 to form the first line-up of his own band. He recorded his first album, "Halfbreed" for Decca's Deram label in March 1969. Regarded as a classic of the fusion of rock, jazz and blues, Hartley went one better later in the year by changing the lineup of his band to include gifted guitarist, vocalist and writer Miller Anderson. This new band recorded the wonderful "The Battle Of North West Six" for decca later that year, around the same time they performed at the legendary Woodstock Festival. Unavailable for many years, Esoteric Recordings are pleased to reissue the album with liner notes by Keef Hartley.

A collection of 14 studio albums by American blues musician. He is a multi-instrumentalist whose talents include the guitar, banjo, mandolin, harmonica, and vocals. Includes: When Negroes Walked the Earth (1997); White African (2001); Respect The Dead (2002); Truth Is Not Fiction (2003); Double V (2004); Below The Fold (2005); Defintion of a Circle (2006); Recapturing The Banjo (2008); Pentatonic Wars And Love Songs (2009); Clovis People Vol.3 (2010); Otis Taylor's Contraband (2012); My World Is Gone (2013); Hey Joe Opus Red Meat (2015); Fantasizing About Being Black (2017).

This reissue of Overdog features the bonus single edits of Roundabout, one of their best loved and most powerful works. Along with a reissue of The Time is Near, this release sees the beginning of a reissue campaign by Esoteric Recordings of the classic Keef Hartley Band albums.
After the subtleties and suppleness of 1970's The Time Is Near…, the Keef Hartley Band's third full-length, the group returned the following year with Overdog, a set that kicks them into overdrive. Opening with a dramatic flourish of wah-wah guitar, the anthemic "You Can Choose" instantly wipes all memories of the intricate design of the preceding album off the board. Big and brash, "Choose" pounds rock into funk with savage delight…

THE FULL 1986 SYDNEY BROADCAST ACROSS 2 x CDS Bob Dylan and Tom Petty were just three weeks into their 1986 True Confessions world tour when they brought in a professional camera crew to film a two-night stand at Sydney, Australia's Entertainment Centre.

Santana Arriving at the twilight of the 1960s, Santana were psychedelic pioneers who ushered Latin rock into the mainstream with their first three albums: Santana, Abraxas, and Santana III. Thanks to their appearance at Woodstock, their eponymous album was a smash hit right out of the gate, with its single "Evil Ways" making it into the Billboard Top Ten in 1969. They remained at the top of the charts until 1973, when leader and namesake guitarist Carlos Santana began exploring esoteric, spiritual jazz fusion on his own. Carlos may have wandered away from the band who shared his name, but he always returned to the group, sustaining them through years both productive and fallow.

Like everything on Memphis Slim's album Goin' Back to Tennessee or Alvin Youngblood Hart's "Tallacatcha" (a Western swing performance worthy of Bob Wills), Clarence "Gatemouth" Brown's 1975 Barclay album Down South in the Bayou Country completely transcends any and all attempts to confine this diverse artist within the artificial parameters of blues or any other preordained category. Consisting mostly of songs written by Hoyt Garrick, Jr., Charles Gressett, and David Craig with additional tunes by J. Loyd and Joe Stampley, this pretty parfait of country & western, Southern rock, cowboy hoedown, and electric Cajun soul music was recorded during February and March 1974 in Bogalusa, LA. Gatemouth, fresh from his tenure as Deputy Sheriff of San Juan County, NM, sounds particularly pleased to be active at the center of a project so completely infused with authentic Southern sensibilities. Perhaps the most satisfying track off of the original album is "Loup Garou." This hoodoo funk ritual with background vocals by Geraldine "Sister Gerry" Richard sounds as if it might have been influenced by Dr. John's "Loop Garoo," which had appeared on that artist's Atco album Remedies in 1970.

Introducing "#1s - Rock 'N' Roll," the first installment in the highly-anticipated '#1s' series. Dive deep into the golden age of music with this compilation of chart-topping sensations from the Rock 'N' Roll. This disc collection captures the spirit, innovation, and charm of a transformative decade. Expect to be transported back in time with iconic tracks that still resonate today.

CD1 kicks off with a run of Synth-Pop gems from established artists Orchestral Manoeuvres In The Dark, Blancmange, Gary Numan and Talk Talk alongside some newer bands, The Lotus Eaters, Freur and After The Fire… Japan released a live instrumental, and Yello, Divine, Rockers Revenge and Freeez presented fantastic club tracks. The second disc opens with a stunning collection of Indiesingles from Bauhaus, Marc And The Mambas, The Stranglers and The Glove – featuring members of both The Cure and Siouxsie And The Banshees! CD3 features some huge and long-established superstars Billy Joel with the stunning opener Goodnight Saigon, Bonnie Tyler, Lionel Richie, Mike Oldfield, The Kinks, Olivia Newton-John and U.S. hit for Kenny Rogers and Sheena Easton with a cover of Bob Seger’s ‘We’ve Got Tonite’.

Blueprint is the fourth album by Irish guitarist Rory Gallagher, released as a vinyl record in 1973. With his first band Taste and with his solo band up to this point Gallagher was one of the first guitarists to lead a power trio lineup. With Blueprint Gallagher included a keyboardist for the first time. For Blueprint Gallagher replaced drummer Wilgar Campbell with Rod de'Ath and decided to add Lou Martin, the keyboardist from de'Ath's previous band Killing Floor. This four-piece lineup was to be one of Gallagher's most successful resulting in many of his most popular songs and documented in live film and TV appearances on shows such as Rockpalast and the Old Grey Whistle Test. The band would play together for five years. Blueprint, as with all the studio albums recorded by the Gallagher quartet illustrated Gallagher's eclectic musical influences.

The Best Days features on 8 compact discs legendary radio live recordings from the 60s, 70s and 80s plus one unplugged show.

For a swan song, this is pretty a good one. Generally, at this point in a band's career, when personnel changes become more frequent, live shows become more unpredictable, and substance use seems to become more central to the band than singing and songwriting, you would think that Family (a band that partied as hard as any) would simply cough up a final piece of dreck and say so long. But Movie is a relaxed, funny and funky record, almost sunny in disposition. The songs take a while to worm their way in, but once they do, tracks like "Boots N Roots" and "Boom Bang," with their swagger and sway, end up sounding as good as any of the band's previous work.

White Sky is an album by British blues rock musician Peter Green, who was the founder of Fleetwood Mac and a member from 1967–70. Released in 1982, this was his fifth solo album, and the first for Creole Records after his split from PVK Records.