Brazilian music is held in the highest regard by aficionados throughout the world for many reasons. There are many qualities in the music that shine through from this country, with its diverse population and geography. Though there are many genres of music that have originated in Brazil, it is the overwhelming emotional content of the music that has hooked generations of listeners.

Gifted with an expressive and powerful soprano, charting and platinum-selling fado singer Mariza is a superstar of the fado movement with a global following. Though she always works within fado's traditional boundaries, she takes chances by engaging elements of folk traditions from her native Mozambique, the southern reaches of her home in Portugal, Brazil, and even further afield: Her repertoire, while firmly rooted in classical and contemporary fado, has grown to include occasional Cape Verdean mornas, R&B and Motown classics, and any other music she holds dear at any given time. With the release of her debut album Fado Em Mim in 2001, her reputation in Portugal was equaled internationally.

Volume 3 of the Chill Brazil series is compiled by the legendary Brazilian singer/songwriter Gilberto Gil, 'Chill Brazil 3' blends classic Soul Bossas culled from the Warner archives with the freshest voices in contemporary & electronic Brazilian music today. Classic artists such as Tom Jobim, Joao Gilberto, Gilberto Gil, Elis Regina, Chico Buarque, to name a few, combined with contemporary "Bossaists" Bebel Gilberto, Maria Rita (Elis Regina's daughter), Marcelinho Da Lua gives the perfect blend of the harmonic & rhythmic richness of these Brazilian Soul Bossas past, present & future.

A collection of sexy, steamy soul bossa tracks with the sounds of Brazil. With some of the most-recognizable names, not to mention many of the others present from the many wonders of Brazilian music, this is the perfect compilation to chill out to!

Cafe Ipanema is a compilation of 42 musica popular brazil tracks released as 3-CD on 1 Jul 2011. Cafe Ipanema includes a.o. the following tracks: "Caetano Veloso - Samba Em Paz", "Seu Jorge - O Samba Tai", "Ituana - Garota De Ipanema", "Lizette & Groove Da Praia - Beat It" and more.

The work of an artist often suggests that of an alchemist. In her new album, Aire, Mexican singer and composer Magos Herrera transformed the grief, fears, and loneliness of a deadly plague into a luminous collection of songs representing "a celebration of our humanity and the healing power of music."

Astrud Gilberto's entry in the nicely appointed Verve Jazz Masters compilation series shows exactly why the Brazilian singer is deserving of such an accolade. In her '60s heyday, Gilberto was often derided by jazz purists for her vibrato-less "desafinado" (deliberately slightly off-pitch) singing style and deadpan, childlike voice. But the diminutive bossa nova star has since been a huge influence on dozens of jazz and pop singers. VERVE JAZZ MASTERS is less of a greatest hits package than it is a smartly balanced retrospective of many of Gilberto's best performances. Her biggest hits, "Call Me" and "Summer Samba," are not included, and her signature tune, "The Girl From Ipanema," is only represented by a live take from a 1964 Carnegie Hall concert. The collection places equal emphasis on Gilberto's bossa nova-style interpretations of jazz standards and on her signature Portuguese-language sambas.

This album consists of five songs from Nothing Like the Sun… re-recorded in Spanish and Portugese. This was a well-done project – the translations are good and Sting manages the Spanish and Portugese pronunciations well. However, unless you are huge fan, or enjoy hearing the songs sung in different languages, this is an album you'll want to pass over.

Astrud Gilberto has never been properly anthologized by Verve Records; although they've released a number of compilations over the years, none of them have been definitive, and most of them have been rather skimpy. 1987's The Silver Collection, originally released only in Europe but later imported to North America, is an idiosyncratic selection. It omits "The Girl From Ipanema," her biggest hit, includes all 11 tracks from her 1965 release The Astrud Gilberto Album, and adds on a selection of singles and album tracks recorded from 1965 to 1970 with no particular logic. All that said, however, it's still one of the best compilations available of this idiosyncratic but brilliant singer's '60s material. Jazz purists turn up their noses at Gilberto, correctly pointing out her near total lack of technical ability. However, the Brazilian songbird's appealingly plain voice, with its deliberately wobbly pitch (the "desafinado" style celebrated in Antonio Carlos Jobim's song of that title), total lack of vibrato, and deadpan phrasing, is a delight for those attuned to its charms.