“It’s probably fair to say that only Cyro Baptista could concoct a mix of music to include Brazilian, Mexican, and Afro-Cuban forms with hints of jazz, funk, and whatever else may fit, sometimes with multiple forms within the same song. Yet, even while you may not detect the particular style or have a total grasp on what he’s up to, he somehow makes it accessible and infectious.” Jim Hynes, Glide Magazine

Guitarist Bill Frisell’s new double LP Orchestras documents two inspired concert-hall engagements arranged by Michael Gibbs for Frisell’s long-standing trio with bassist Thomas Morgan and drummer Rudy Royston: one featuring the nearly 60-piece Brussels Philharmonic, conducted by Alexander Hanson; and one with the 11-piece Umbria Jazz Orchestra, under the musical direction of Manuele Morbidini. But as with so much of Frisell’s music over the past four decades, a relatively straightforward concept and a familiar songbook yield quietly stirring revelations. The music showcases a level of comfort and interactivity that far transcends the vast majority of “with strings” projects on the jazz record shelf. Sweeping orchestration evoking landmark film scores and Gil Evans alike move nimbly within and around the trio’s telepathic rapport, and Frisell’s shimmering trademark tone melds gorgeously with symphonic strings and brass.

2019 saw Led Zeppelin - the 70’s iconic rockband - celebrate the 50th anniversary of their debut album. That release - as well as all their subsequent albums - dazzled and litterally shook the world of music, and created a whole new direction in rock’n’roll. Their music is now being revisited by a band consisting of some of the most in demand players on the Danish and European jazz scene.

The relationship between Alex Harding and Lucian Ban has been long and fruitful. Their combination of elements of improvisational music have helped the pair develop a unique musical language that transcends the expectations of the jazz genre. Their new recording, Blutopia, highlights their attuned rapport while allowing their music to unfold with their own singular ensemble, propelled by the tuba stylings of the great Bob Stewart.

The mystical figure On Ka'a Davis returns for his second CD on Tzadik, and his first in twenty-five years - Blending the psychedelia of Sun Ra with Miles Davis and Jimi Hendrix, this is an epic, direct from the ever-growing counterculture of Downtown New York - Performing on guitar, synth keyboard, programmed sounds, and percussion On is joined here by Don McKenzie on drums and Ali Ali on trumpet. Years in the making the music is wild, varied, and intensely felt. A New York Underground classic!

In February of 2015, Grammy Award-winning band Snarky Puppy recorded Family Dinner Volume Two in front of a live studio audience with guest instrumentalists and vocalists from all over the world. A companion piece to the monumental album, this documentary/concert-film features exclusive candid interviews and acoustic performances from the guest artists. The project is a true testament for showing first-hand how music can be a bridge between diverse cultures from countries from all over the world to create a unifying musical statement for the average listener or the devout music-connoisseur.

For her new album Plateaux, Clara Haberkamp chooses to work with infinitely subtle, high-caliber performers from a slightly older generation: bassist Oliver Potratz is one of the most sought-after instrumentalists in Germany; Jarle Vespestad has many years of experience with Farmers Market and Tord Gustavsen's trio. Each of them has released over 100 albums.

Keeping a band together, particularly among the mercurial community of jazz musicians, is no small feat. Other gigs beckon. Life outside of making art takes precedence. It’s a reality that makes the continued existence and progression of Portland quintet Blue Cranes feel so momentous. The ensemble — saxophonists Reed Wallsmith and Joe Cunningham, drummer Ji Tanzer, keyboardist Rebecca Sanborn, and bassist Jon Shaw — has been working together in a variety of formats since 2004, creating a solid body of work that has connected them to both the traditional sounds and the future-minded artists of their chosen genre.

The Finnish artist’s solo selection of delicate and ethereal compositions for piano, electronics and the incredible, one-of-a-kind Omniwerk.

​On his third album as a leader, Belgian pianist Joachim Caffonnette deepens and refines his textural approach, carefully balancing between the impressionist influences and the bebop legacy that are typical of his very personal signature. « Extended » is meant as a projection of his writing and his ideals through various instrumental ensembles that stimulate meetings and spontaneity.Here, he surrounds himself with top-notch musicians, including New Orleans-based double bassist Jasen Weaver, Israeli drummer Noam Israeli, who has been based in New York for several years, and guest virtuoso trumpeter Hermon Mehari, originally from Kansas City.

An ECM artist for his entire musical career, US guitarist Ralph Towner has built up a unique body of work in his recordings for the label. Central to his oeuvre are his solo albums, the first of which, Diary, was issued 50 years ago. At First Light extends this great tradition, drawing inspiration from a broad palette of music. “My solo recordings have always included my own compositions in which there are trace elements of the many composers and musicians that have attracted me,” writes Towner in a liner note, citing the influence of, among others, George Gershwin, John Coltrane, John Dowland and Bill Evans: “I feel that At First Light is a good example of shaping this expanse of influences into my personal music.” In addition to his own pieces, Towner also plays Hoagy Carmichael’s “Little Old Lady”, Jule Styne’s “Make Someone Happy” and the traditional tune “Danny Boy.” Recorded at Auditorio Stelio Molo RSI, Lugano, in February 2022, At First Light was produced by Manfred Eicher.

Since 2014, drummer/bandleader Robert Sput Searight and percussionist Nate Werth have led an incredible collective of musicians brought together as a groove-based funk, hip-hop and jazz group which has amassed a global audience. With Mustard n’Onions – the follow-up to 2018’s critically acclaimed Swagism – the band brings the funk to new levels with an album of originals featuring bassist MonoNeon (Prince), keyboardist Dominique Xavier Taplin (Toto), saxophonist/arranger Sylvester “Sly5thave'' Onyejiaka and more alongside special guest keyboardist and legend Bernard Wright.

How ‘bout another film? After Rollin', here’s Truffaz again with Clap!, the second installment in his cinema stories, repeating the miracle of substituting his own images for those conjured up by the original soundtracks. Or, as director Bruno Nuyten puts it: “Beyond the memories of the films that are mentioned, Erik Truffaz’s interpretation opens the imagination to other films that have never been made”. Nicely put.

It might be tempting to dismiss this Ralph Towner effort as New Age fluff, but the music is so gorgeous that any such considerations fall to the wayside. Yet the wayside is precisely where Towner sets his sights, which is to say that his interest lies in edges where musical idioms meet. He explores these lines, not unlike the blotted cover, with an ease of diction at the fret board that is recognizable and comforting. Drummer Peter Erskine shares the bill, but Towner adds a few synth touches for broader effect, as in “The Sigh,” which opens the session in a cleft of fluid energy.